Thriller's 3rd and 4th inversions are definitely variations on vertical loops. While this may be delving into semantics as to what way a train exits the loop, the inversions look like Schwarzkopf's attempt at a vertical loop/corkscrew hybrid, perhaps even approaching a quasi-immelman. Do you believe that this was a definite precursor for the immelmans that we enjoy today?
**Edit** Sorry, I miscounted Tyler... I mean the last two inversions, being the third and fourth.
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*** This post was edited by V² Fiend on 12/5/2001. ***